Here I go again… Blabbing on about equine artists.
I just cannot help myself.
It isn’t as if I went hunting for this. It showed up on my FB page.
When I saw it, I gasped.
I WANT ONE!
This kind of art really grips me because I find it fascinating that someone thought of this. It is incredulous to me to think that some person saw an old sawblade or a rusted dust pan, let’s say, and they tell themselves, “Hey, I could make something outta that…”
… but not just anything… THIS!
HOW DOES ANYONE COME UP WITH THIS?
I’m totally in awe.
Yes, this looks like a horse. But, if you pull it apart, it is a bunch of stuff that looks nothing like a horse.
Did you see the hidden face in the left shoulder of the horse?
I know he lives in South Dakota and I know he was influenced by his cowboy upbringing. His website has several video showing him riding his horse and driving cattle.
There are also several videos showing him welding – which were awesome!
Anyway, to learn about John, I am quoting this off of his website (linked here).
Sculptor John Lopez was born and raised on a ranch in Western South Dakota. His western and rodeo theme bronzes have been well received by the public and have sold all over the country from California to New York. For the past ten years, John has been working on The City of Presidents project in Rapid City, SD. John Adams, John F. Kennedy and John, Jr., Calvin Coolidge, Teddy Roosevelt and Ulysses S. Grant are a few of the presidents John has placed on the street corners so far. The job security that this steady work provides has opened up the door for John to experiment with the style of his work and allowed him to branch out into other sculptural forms.
In the midst of a successful career in bronze sculpting, John Lopez discovered this exciting new direction: scrap iron sculpting. “I am never bored! I look forward to each new creation, and it is helping me grow and develop as an artist,” he says.
This unusual detour started about two years ago, when his beloved aunt, Effie Hunt, died in a rollover car accident. Lopez moved to his widowed Uncle Geno Hunt’s ranch to build a family cemetery; his aunt would to be the first laid to rest there.
Uncle Geno opened his home and welding shop to Lopez, who completed a fence around the cemetery, then ran out of material. The ranch is 35 miles from the nearest town or post office, so he went looking through the scrap iron on site.
After some experimentation, he finished a gate into the cemetery, and then made a small angel peering over the top of the gate. The project gave him much personal satisfaction, and everyone who saw it was amazed at the result. A new career path was born in that cemetery. Not wanting to depart from his bronze casting expertise, John found a way to merge the two art forms into a new hybrid sculpture of everyday objects mixed with limited edition bronze castings. Hybrid Metal Art, a sculptural fusion of figurative and funk, a blend of iron and bronze.
In 2008 John placed his scrap iron monument of “Triceratops Cowboy” (a cowboy riding a Triceratops) in front of the Grande River Museum in Lemmon, SD. Later that same year John placed his scrap iron T-Rex in Faith, SD in honor of the largest T-Rex ever found by the name of Sue. If you find yourself in Hill City you might see a life-size hybrid metal horse sculpture John did that won the peoples choice award at the Sculpture in the Hills show in Hill City in 2009.
Lopez was fortunate to find his talent for sculpting during his senior year in college while taking a required course at Northern State University. John was able to built a career in bronze without ever leaving his rather isolated prairie home in South Dakota, Having grown up on a ranch, he is still a good hand with horses and cattle. It is logical that he would first sculpt the things he knew best…horses, cows, cowboys and prairie wildlife. Lopez became well-known as a sculptor; his work was in demand.
In 2000, the Pro Rodeo Hall of Fame commissioned John to create two bronze monuments for their sculpture garden. The first featured World Champion Calf Roper, Paul Tierney, on Coffee Jeff, a horse raised by John’s Uncle Geno. The second monument featured Charmayne James on her famous horse Scamper.
Sometimes the young artist is asked what he imagines his grandfather, the pioneer stockman, Albert Lopez, would have thought of his scrap-iron sculpture. Perhaps the best answer was given by another old-timer, who came to one of his exhibits. The old gentleman spent considerable time peering intently at a scrap metal saddle. After long study, he announced, “Now that’s art!”
THANK YOU FOR INDULGING ME!
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